Born 8 March, New Malden, Surrey, son of Alfred and Mary Caro, both families from Norwich, father a stockbroker

Attends Charterhouse School, Godalming, Surrey

Studies engineering at Christ's College, Cambridge During vacations attends Farnham School of Art and works in studio of sculptor Charles Wheeler RA

Serves in Fleet Air Arm of Royal Navy

Attends Regent Street Polytechnic, studies sculpture with Geoffrey Deeley

Receives strict academic training at Royal Academy Schools, London, taught by different sculptor Royal Academicians (MacWilliam, Hardiman, Charoux and Maurice Lambert) Studies and copies Greek, Etruscan, Romanesque and Gothic sculpture

Awarded two silver medals (clay figure modeling, carving) and one bronze medal (composition) from Royal Academy Schools

Marries the painter Sheila Girling (two sons Timothy 1951, Paul 1958)

Moves to Much Hadham, Hertfordshire with wife and family to work as part-time assistant to Henry Moore Continues to draw from the model at Royal Academy Schools

Teaches two days weekly at St Martin's School of Art, London; students include David Annesley, Michael Bolus, Richard Deacon, David Evison, Barry Flanagan, Hamish Fulton, Gilbert & George, Brower Hatcher, Peter Hide, Phillip King, Richard Long, Tim Scott, William Tucker and Isaac Witkin. He Joins Frank Martin, Head of Sculpture Department, in reorganising the department and developing the curriculum. Integrates sculpture and drawing into a single class with a view to understanding rather than copying the subject.

Family moves to Hampstead. Makes figurative sculpture in clay and plaster, sometimes cast in bronze, such as Man Holding His Foot (1954) . During summer vacations at Porlock, Somerset, makes moulds of rocks and cliff outcroppings, which are incorporated along with pebbles and stones into figurative sculptures

Two figurative sculptures included in group exhibition 'New Painters and Painter-Sculptors' Institute of Contemporary Art, London

First one-man exhibition at Galleria del Naviglio, Milan; twenty sculptures shown, expressionist figures and heads modeled in clay or plaster, including Woman Waking Up (1955)

First one-man exhibition in London: Gimpel Fils Gallery

Man Taking Off His Shirt (1955/56) exhibited at the Venice Biennale

First Paris Biennale for young artists; sculptures exhibited include Woman with Flowers (1958) and Woman On Her Back (1951). Awarded prize for sculpture, which enables him to visit Carnac, Brittany where he studies the primitive menhirs and dolmens. Tate Gallery purchases Woman Waking Up (1955). Meets Clement Greenberg in London; subsequent conversations and studio visits over many years are a great influence on his approach and his attitude to art . He visits USA for the first time on Ford Foundation English Speaking Union grant; meets sculptor David Smith and painter Kenneth Noland, as well as Robert Motherwell, Helen Frankenthaler, Richard Diebenkorn, Ed Keinholz and other New York and West Coast painters

In London makes first abstract sculptures in steel, starting with Twenty Four Hours (1961), now in the Tate Gallery collection. Radical change in his ideas forces him to rethink his teaching methods. Frank Martin sets up a welding shop at St Martin's; experimental atmosphere in school and working relationship with students provide forum for stimulating exchanges

Makes first polychrome sculpture, Sculpture Seven (1961). Exhibits the only sculpture, The Horse (1961), in 'New London Situation', an exhibition of 'situation paintings' selected by Lawrence Alloway and held at Marlborough New London Gallery

Large one-man exhibition of fifteen abstract steel sculptures at Whitechapel Art Gallery, London, organised by its director, Bryan Robertson. Sculptures exhibited include Twenty Four Hours (1961), Midday (1960), Sculpture Seven (1961), Early One Morning (1962), Month of May (1963) and Pompadour (1963). Included in group show at Kasmin Limited, London. Kasmin continues to show Caro's work regularly: solo exhibitions 1965, 1967, 1971, 1972 and (under the name of Knoedler Gallery) 1978, 1982, 1983, 1984, 1986, 1989, 1991

Teaches at Bennington College, Bennington, Vermont: other members of faculty include painters Jules Olitski, Paul Feeley and Peter Stroud. Renews contact with Noland and Smith who live nearby. Noland suggests Caro works in series, which he has done many times since. A large garage belonging to the Bennington College Fire Department is made available for Caro's use as a temporary studio and he produces a number of works, including Titan (1964) and Bennington (1964)

First one-man exhibition in New York at Andra Emmerich Gallery; five sculptures shown include Prospect (1964). Emmerich continues to exhibit Caro's work regularly: solo exhibitions in New York 1968, 1970, 1972, 1973, 1974, 1977, 1978, 1979, 1982 (twice), 1984, 1986, 1988, 1989, 1991, 1994 and at Galerie Andr!" Emmerich, Z"rich, in 1974,1978, 1985. Exhibits Month of May (1963) and Hopscotch (1962) at Documenta III, Kassel, Germany

Exhibits Early One Morning (1962) in group show entitled 'British Sculpture in the Sixties' at the Tate Gallery, London, organised by the Contemporary Art Society; CAS presents Early One Morning to the Tate Gallery collection. Exhibition at Washington Gallery of Modern Art, Washington DC, includes Twenty Four Hours (1960), Sculpture Seven (1961) and Prospect (1964). For the next two decades visits USA 3-4 times a year, usually working there for about a month each time

Exhibits at Venice Biennale in the British Pavilion with painters Richard Smith, Harold Cohen, Bernard Cohen and Robyn Denny in exhibition entitled 'Five Young British Artists' Exhibits in 'Primary Structures: Younger American and British Sculptors' at the Jewish Museum, New York, organised by Kynaston McShine. Following conversation with Michael Fried begins to make small sculptures, using handles and coming over the edge of the table; calls these Table Pieces . In larger works such as Red Splash (1966) and The Window (1966/67) he incorporates grills and mesh screens

Retrospective exhibition at Rijksmuseum, Otterlo, Holland Acquires stock of raw materials from estate of the late David Smith. Exhibits Prairie (1967) and Deep Body Blue (1967) at Kasmin Ltd, London

Development of table sculptures; incorporates steel table-height surfaces into large scale sculptures including Trefoil (1968). Exhibits Titan (1964) in 'Noland, Louis and Caro', Metropolitan Museum of Art, New York

Retrospective exhibition at Hayward Gallery, London, consisting of fifty works made 1954-1968, organised by Joanna Drew, with a catalogue essay by Michael Fried. Exhibits, with John Hoyland, in British Section of Tenth So Paulo Biennale. Moves studio to former piano factory in Camden Town, London. Patrick Cunningham becomes Caro's studio assistant in London. Purchases parts of agricultural machinery, including plough shares and propeller blades, which are used in sculptures incorporating different levels, including Orangerie (1969) and Sun Feast (1969)

Works each year for short periods at Kenneth Noland's studio at Shaftsbury, Vermont, assisted by James Wolfe and later Willard Boepple. Makes unpainted steel sculptures where the rusted steel is varnished or waxed, such as The Bull (1970). Exhibits Pink Stack (1969) in the exhibition 'Contemporary British Art' at the National Museum of Modern Art, Tokyo. Exhibits Orangerie and Sun Feast at Andr!" Emmerich Gallery, New York; Sun Feast bought by Lewis Cabot, who becomes an important collector of Caro works

Invited to judge Perth Prize at 1971 Drawing International at Western Australia Art Gallery, Perth. Travels around the world with his family visiting Mexico, New Zealand, Australia and India, lecturing at art schools and universities

Makes series of seven rusted steel sculptures, the Straight series, based on the H-beam. Works at Ripamonte factory in Veduggio, Brianza, with James Wolfe as assistant; makes fourteen sculptures using soft edge roll end steel

Obtains soft edge roll end steel from Consett, County Durham, England; makes Durham Purse and Durham Steel Flat (1973/74). Museum of Modern Art, New York, acquires Midday (1960)

Works at York Steel Company factory in Toronto; makes large sculptures using heavy steel handling equipment such as mobile cranes, assisted by sculptors James Wolfe, Willard Boepple and Andr!" Fauteux. Returning many times over the next two years completes 37 sculptures, later known as the Flats series, including Lake Ontario Flats (1974), Pin Up Flat (1974), Scorched Flats (1974) and Surprise Flats (1974)

Retrospective exhibition at Museum of Modern Art, New York (which later travels to Walker Art Center, Minneapolis, Museum of Fine Art, Houston and Museum of Fine Art, Boston). Works in ceramic clay at workshop organised by Margie Hughto at Syracuse University, New York.

Presented with key to the City of New York by Mayor Abraham Beame

Retrospective exhibition of table sculptures organised by The British Council tours to Israel, Australia, New Zealand and Germany. Artist in residence at Emma Lake summer workshop, University of Saskatchewan, Saskatoon, using tubular steel in a linear mode. Sculptures made there, later known as the Emma series, include Emma Dipper (1977, now in the Tate Gallery collection) and Emma Dance (1977/78)

Makes first 'writing pieces': small calligraphic sculptures in steel, often including tools or other utensils. Experience of working with clay leads to the use of clay parts cast in bronze welded directly to plate bronze and brass. Executes commission for architect I M Pei's new East Wing building of the National Gallery, Washington, DC

Makes a series of bronze screens. Invited by Rodger Mack to work in bronze at Can Company factory, converted into sculpture department of Syracuse University; makes Can Co series and Water Street series. Begins series of lead and wood sculptures

Makes series of sculptures in handmade paper, mostly wall reliefs, with Ken Tyler at Tyler Graphics, New York. Exhibits 12 large steel sculptures at St 0dtische Galerie, Frankfurt, later traveling to Saarland Museum, Saarbr'cken, Germany

Delivers William Townsend Memorial Lecture on sculpture at University College, London. Together with Robert Loder organises the first Triangle Workshop for thirty sculptors and painters from USA, England and Canada at Pine Plains, New York; over the years artists from many countries attend. Participates annually thereafter until 1991, when leadership is handed over to Willard Boepple, Jon Isherwood and Karen Wilkin. He paints in acrylic at Helen Frankenthaler's studio in New York

60th Birthday solo exhibition at Serpentine Gallery, London, organised by The Arts Council; later tours to Whitworth Art Gallery, University of Manchester, Leeds City Art Gallery, Ordrupgaardsamlingen, Copenhagen, Kunstmuseum, Dusseldorf and Fundacio Joan Miro, Barcelona. Completes first sculpture with an architectural dimension where the spectator is invited to enter the work and experience its inner space: Child's Tower Room (1983/84) in Japanese oak; shown in the Arts Council touring exhibition "Four Rooms", which opens at Liberty's, London

Builds a barn at Ancram, New York state, to be used as US studio. Jon Isherwood becomes Caro's US studio assistant . Guest leader at sculptors' workshop at Jan van Eyck Academie, Maastricht. Delivers Delia Heron Lecture, Falmouth School of Art. Visits Greece for the first time

Completes Scamander (1985/86) and Rape of the Sabines (1985/86), in a series of sculptures inspired by Greek pediments

Leads 'Stahl 87' workshop at the Werkstatt Berlin. Creates large bronze sculpture, Chicago Fugue (1986/87), for John Buck Company, South Lasalle Street, Chicago. At Triangle Workshop at Pine Plains, New York works with Frank Gehry on architectural/sculptural village. Participates in special Triangle workshop in Barcelona and starts Barcelona series, which he later returns to Spain to finish. Delivers the Contemporary Art Society's Fourth Annual Lecture, "The Artist's Method", at Tate Gallery, London. Makes After Olympia (1986/87) in London, his largest sculpture to date

After Olympia (1986/87) is installed on roof garden of Metropolitan Museum of Art, New York, for duration of the summer. Concludes investigation of pediment-inspired works with Xanadu (1986/88). Starts series of 33 table sculptures made from steel elements brought back from the Barcelona workshop to London studio; calls these the Catalan series

Exhibits selection from the Barcelona and Catalan series at the Sala de Exposiciones del Banco Bilbao Vizcaya, Barcelona. Retrospective exhibition at Walker Hill Art Center, Seoul; visits Korea and India. Attends steel sculpture workshop, University of Alberta, Edmonton, and bronze workshop at Red Deer College, Alberta. Begins working on the Cascadesseries of 14 table sculptures, which often involve the floor and even the wall First solo show at Annely Juda Fine Art, London, entitled Aspects of Anthony Caro; subsequent solo exhibitions in 1991, 1994, 1998 and 2001

Completes work on Night Movements (1987/90), a single work in four separate units, now in the Tate Gallery collection. Visits Japan and at Nagatani's workshop, Obama, starts series of paper sculptures, later completed in England

Completes two sculptures involving a dialogue with architecture: Sea Music (1991) for the quayside in Poole, Dorset, and Tower of Discovery (1991). Exhibition of four recent large sculptures in the Duveen Galleries of the Tate Gallery, London: After Olympia, Tower of Discovery, Xanadu and Night Movements. Exhibits selections of the Cascades table pieces (1989/90) at Annely Juda Fine Art, London and Andr!" Emmerich Gallery, New York

Retrospective exhibition in the ancient Trajan Markets, Rome, organised by Giovanni Caradente and The British Council. Tower of Discovery (1991) shown at the World Expo Fair, Seville. Obama paper works shown at Fuji Television Gallery, Tokyo. Makes Chant des montagnes (1993/94) for Mus!"e de Grenoble, France. The British Council tours the Cascades series (1989/90) to museums in Hungary, Romania, Turkey, Cyprus, Greece, Germany, Holland, Slovenia and Slovakia. Makes a series of ceramic sculptural elements at the workshop of Hans Spinner near Grasse, France; these are later combined with wood and steel in the London studio to form The Trojan War

Caro Noland Olitski workshop, symposium and exhibition at Hartford Art School, Connecticut

Several exhibitions organised to celebrate the artist's 70th birthday, including "Sculpture Through Five Decades" at Annely Juda Fine Art, London, later shown at Galerie Hans Mayer, Dusseldorf and (in a modified version) Kukje Gallery, Seoul. One-man exhibitions at Andr!" Emmerich Gallery, New York, Richard Gray Gallery, Chicago, and Constantine Grimaldis Gallery, Baltimore. Exhibition of table sculptures organised by Kettle's Yard Gallery, Cambridge; later tours to Manchester and Sheffield. The Trojan War (1993/94) at the Iveagh Bequest, Kenwood, London and Yorkshire Sculpture Park, Wakefield. Major sculpture installation commissioned by the Henry Moore Sculpture Trust for the Henry Moore Studio at Dean Clough, Halifax: Halifax Steps - Ziggurats and Spirals (1994) further explore the dialogue between sculpture and architecture

Caro's largest retrospective exhibition of 113 works opens the new Museum of Contemporary Art, Tokyo; curated by Yasuyoshi Saito with architectural settings specially designed by Tadao Ando

Goodwood Steps (1996) displayed at the Hat Hill Sculpture Foundation, Goodwood, until 1998, then at Chicago Navy Pier, Chicago. Shown along with Chillida, Jacobsen, Luginbuhl in 'Pl 0tze und Platzzeichenat Museum Wurth Germany

The Trojan War (1993/94) is shown in Greece at Thessaloniki and at the National Gallery, Athens. With the architect Norman Foster and the engineer Chris Wise wins the competition for a new footbridge spanning the Thames from St Paul's to Tate Modern at Bankside, London

"Caro-Sculpture from Painting" exhibited at the National Gallery, London; the first occasion a contemporary sculptor has been invited to hold a one-man show there Exhibition of new works at Annely Juda Fine Art, followed by exhibitions in Amsterdam, Seoul and New York. The Trojan War exhibited at the Marlborough Gallery, New York. Works in theatre for the first time, designing the sets and props for Northern Broadsides' dramatic interpretation of Milton's Samson Agonistes at the Viaduct Theatre, Dean Clough, Halifax (director Barrie Rutter, costumes Sheila Girling)

The Last Judgement (1995/99) shown at 48th Venice Biennale; a 25-part sculpture in terracotta, wood and steel, made in response to the atrocities of the 20th century New Marlborough Gallery in Boca Raton, Florida, shows Arena Pieces

Awarded OM. Exhibition at Venice Design Gallery, Venice of works from the Concerto series (1999/2000) inspired by music. Three works from the series of seven Duccio Variations in different materials are included in Encounters exhibition at the National Gallery, London. The Last Judgement is the first show in the new wing of Museo des Bellas Artes, Bilbao. Portland Museum in Oregon, which already had two Caro works in its collection, obtained another eight with its acquisition of the Clement Greenberg collection

The Last Judgement is exhibited at the Johanniter Ikrche, Schw 0bisch Hall, Germany to coincide with the opening of the new Kunsthalle Wurth. An educational exhibition A Sculptor's Development - Anthony Caro, is shown in Lewes, Sussex, touring to Street, Somerset and Chateau-Mus!"e de Dieppe, France (2002). Exhibitions at Marlborough Gallery, New York and Santiago and Galerie Hans Mayer, Dusseldorf Caro at Longside: Sculpture and Sculptitecture, exhibition of large architectural inspired works opens new gallery space at Longside, Yorkshire Sculpture Park

Exhibitions at Galeria Metta, Madrid, Galleria Lawrence Rubin, Milan and Galeria Altair, Palma de Mallorca and Galerie Besson, London. Anthony Caro: Drawing in Space - Sculptures from 1964 to 1988 & The Last Judgement, 1996-99, a major survey exhibition is shown at the famous Gaudi 'La Pedrera' building in Barcelona; the organisers, Caixa Catalunya, also specially created a new exhibition space adjacent to La Pedrera to exhibit the Last Judgement

A major series, The Barbarians, is first shown at Mitchell-Innes & Nash, New York, then travels to Annely Juda Fine Art, London, where it is shown with Europa and the Bull and paper works (2003)

Exhibitions at Hubert Gallery, New York (figure studies) and Galerie Joan Prats, Barcelona (works on paper). A selection of Emma sculptures and related later work is shown at Frederik Meijer Sculpture Park, Grand Rapids, Michigan, touring to Meadows Museum, Dallas

Anthony Caro's 80th birthday was marked by exhibitions all over the world, including Artemis Greenberg van Doren (Nov/Dec 2003) and Garth Clark Gallery in New York, C Grimaldis Gallery in Baltimore, the Museum of Art in Seoul, Galerie Josine Bokhoven in Amsterdam, Kunsthalle Wurth in Schw 0bisch Hall and Kenwood House.

Retrospective at the Tate Britain, which will survey all of Caro's major developments throughout his career and fill the exhibition space with significant sculptures from public and private collections in the U.K, USA and Europe. A solo exhibition at the Ivam Centre Julio Gonzalez in Spain. An exhibition entitled, Anthony Caro: Painted Sculpture at Mitchell-Innes & Nash gallery in New York. A group exhibition in the collection of Jerome & Simona Chazen at the museum of Arts and Design in New York.

Creates a jewellery series for Joyerias Grassy, Madrid. 
The Barbarians travel at IVAM, Valencia, to mark the awarding of the International Julio Gonzàles Award of the Generalitat Valenciana. 
The Weekday Series shown at Galeria Altair, Palma.

Joint exhibition with Sheila Girling at the New Arts Centre, Wiltshire includes 12 sculptures from the Flats series made at York Steel Company, Toronto in 1974
. Exhibition at Galleri Weinberger in Copenhagen and showing of sculptured portraits at the National Portrait Gallery, London. 
New galvanised work shown at Annely Juda Fine Art, London and Mitchell-Innes & Nash, New York.

Opening of Chapel of Light at the Church of St Jean Baptiste in Bourbourg in Northern France, accompanied by the largest retrospective in France in three museums in Calais, Dunkirk and Gravelines, as well as exhibitions in Angers, Paris and Lille. 
First solo exhibition in Ireland at Hillsboro Fine Art, Dublin. 
Exhibition of four figurative heads at National Portrait Gallery, London. 
Promenade displayed in the Courtyard of Burlington House, Piccadilly, during and after the annual Summer Exhibition. 
The Barbarians shown at Galeria Alvaro Alcazar, Madrid, as part of larger exhibition. 
Created a second jewellery series for Joyerias Grassy, Madrid.

Works from the Kenwood Series shown at Galeria Altair, Palma de Mallorca. 
Joint retrospective with Eduardo Paolozzi at the new Lightbox Gallery, Woking 
Joint exhibition with Sheila Girling at Galerie Josine Bokhoven, Amsterdam

Solo exhibition at Galeria Joan Prats, Barcelona 
Exhibitions of new Upright Sculptures at Annely Juda Fine Art, Galerie Daniel Templon and Mitchell-Innes & Nash. 
Joint exhibition with Sheila Girling at Gallery K, Nicosia 
Exhibition of 1980s figure sculptures and drawings at Royal Society of British Sculptors, London and Hillsboro Fine Art, Dublin 
Exhibition of jewellery at New Arts Centre, Wiltshire

Solo exhibition at Galeria Alvaro Alcazar, Madrid. 
Exhibition of large works on the roof of the Metropolitan Museum of Art, New York

Designs first ever UK Gold Kilo coin for the Royal Mint to mark London Olympics. 
Associated exhibitions and displays at Chatsworth, Roche Court New Art Centre, Yorkshire Sculpture Park and The Hepworth Wakefield 
Small bronzes exhibition at Mitchell Innes

In connection with the 55th Venice Biennale, he exhibited at the Museo Correr, Venice, Italy

Anthony Caro dies on 23rd October of a heart attack at the age of 89



'British Sculpture in the Sixties', Tate Gallery, London

XXXVI, Biennale de Venice

Retrospective Exhibition, Museum of Modern Art, New York

'Caro: Sculptures 1971-1985', Galeria Joan Prats, Barcelona

'Recent work', Tate Gallery, London

'Anthony Caro', Museum of Contemporary Art Tokyo, Tokyo

'Caro: Sculpture from Painting', National Gallery, London
Köln Skulptur 1, Skulpturenpark Köln, Cologne 

XLVIII Biennal de Venice with The Last Judgement
'Zeitschnitt 1900-2000 - 100 Jahre', 100 Werke, Lentos Kunstmuseum Linz, Linz
'45-99', Kettles Yard, Cambridge, Cambridgeshire (Inghilterra)
''Alchemies of the Sixties. From the Rose Art Museum Permanent Collection, The Rose Art Museum, Waltham, MA
'Britisch Sculpture', Galerie Elisabeth & Klaus Thoman, Innsbruck
48th International Art Exhibition Venice Biennale / Biennale di Venezia, La Biennale di Venezia, Venezia

‘Anthony Caro - Nye Skulpturer’, Galleri Weinberger, Copenhagen
‘Paint + Steel’, Ameringer Howard Fine Art, New York City
‘In Concerto’, Venice Design Art Gallery, Venice, Italy
‘Sculpture and the Divine’, Winchester Cathedral
‘Sculptura 2000’, Kasteel Blauwhuis, Izegem, Belgium
‘Welded: Sculpture of the Twentieth Century’, Neuberger Museum of Art, Purchase College, State University of New York, Purchase, NY
‘20th Century Steel Sculpture’, Beadleston Gallery, New York
‘BLUE: borrowed and new’, The New Art Gallery, Walsall
El Juicio Final de Anthony Caro, Museo de Bellas Artes de Bilbao, Bilbao

‘Architecture in Art’, Crane Kalman Gallery, London
The last judgement, Johanniterhalle de Schwäbisch Hall
‘Caro at Longside. Sculpture and Sculpitecture’, Yorkshire Sculpture Park, Longside Gallery, Wakefield
‘A Sculptor’s Development - Anthony Caro’, Lewes Town Hall, Lewes
‘Anthony Caro - Duccio Variations, Gold Blocks and Concerto Pieces’, Marlborough Gallery, New York

Galeria Lawrence Rubin, Milan
Galeria Metta Galeria, Madrid
Anthony Caro, ‘L’évolution d’un sculpteur’, Château-Musée de Dieppe, France
‘Anthony Caro. Clay Sculptures’, Galerie Besson, London
Galeria Altair, Palma de Mallorca
El Judici Final 1995-1999 Fundació Caixa Catalunya, Barcelona

‘Anthony Caro, escultures i obra sobre paper’, Galeria joan Prats – Artgrafic, Barcelona
'Terrakotta-Arbeiten’ Galerie Lelong, Zurich
‘The Barbarians, Europa and the Bull and Paper Book Sculptures’, Annely Juda Fine Art, London

‘Anthony Caro – A Survey’, C. Grimaldis Gallery, Baltimore
‘Anthony Caro – New Sculpture: The Way It Is’, Kenwood House, London
‘Anthony Caro 80 jaar – recente sculptuur’, Galerie Josine Bokhoven, Amsterdam
‘Anthony Caro – The Barbarians’, Seoul Museum of Art, Seoul
‘Turning Points: 20th Century British Sculpture’, Tehran Museum of Contemporary Art

'Anthony Caro – Edouard Manet', Musée d'Orsay, Paris
'Henry Moore: Epoche und Echo - Englische Bildhauerei im 20. Jahrhundert', Kunsthalle Würth, Künzelsau, Germany
'Anthony Caro', Galeria Metta, Madrid
'Anthony Caro – Sculpture 1966-1983', Marc Selwyn Fine Art, LA, Daniel Weinberg Gallery, LA, USA
Anthony Caro’, Galerie Daniel Templon, Paris
'Anthony Caro', Institut Valencia d'Art Modern, Valencia
'Anthony Caro', Tate Britain, London
'Anthony Caro – Painted Sculpture', Mitchell-Innes & Nash, New York

'Anthony Caro – The Barbarians', IVAM, Valencia
'Anthony Caro', Galeria Altair, Palma de Mallorca
Arena der Abstraktion, Museum Morsbroich, Leverkusen
Was ist Plastik? 100 Jahre - 100 Köpfe- Das Jahrhundert moderner Skulptur
Stiftung Wilhelm Lehmbruck Museum • Center of International Sculpture, Duisburg
60th Anniversary Show, Gimpel Fils, Londra
Die Gesichter hinter den Bilden, The Columns, Seul
Anthony Caro - After Olympia, Musée Auguste Rodin - Paris, Parigi
Breaking Out! Sculptural Explorations in Metal & Wood, Palm Springs Art Museum, Palm Springs, CA
60. Sixty Years of Sculpture in the Arts Council Collection, Yorkshire Sculpture Park - YSP, Wakefield, West Yorkshire

Longing for the garden - sculptures from storage, Kröller-Müller museum, Otterlo
Le cinque anime della scultura, Cesac - Centro Sperimentale per le Arti Contemporanee, Caraglio
Anthony Caro - CMA @ MOCA Exhibition, MOCA - Museum of Contemporary Art Cleveland, Cleveland, OH
Annely Juda - A Celebration, Annely Juda Fine Art, Londra
Blickachsen 6, Galerie Scheffel GmbH, Bad Homburg
Anthony Caro and Sheila Girling, New Art Centre, Salisbury
New Galvanised Steel Sculptures, Mitchell-Innes & Nash, New York, New York

Joyas de Anthony Caro II, Joyerias Grassy, Madrid, Spain
Recent Galvanised Sculptures, Galerie Daniel Templon, Paris, France
Selected Works, Hillsboro Fine Art, Dublin, Ireland
The Barbarians, Galeria Alvaro Alcazar, Madrid, Spain

Partners, Galerie Josine Bokhoven, Amsterdam, Holland
The Kenwood Series, Galeria Altair, Palma, Mallorca, Spain

Abstract & Nature, Hatfield house, Hertfordshire
Atrium Gallery, Bournemouth University, Poole, Dorset
National Gallery of Art, Washington, USA

Galeria Alvaro Alcazar, Madrid
Metropolitan Museum of Art, New York

The Hepworth Wakefield 
Small bronzes exhibition, Mitchell Innes
Roche Court New Art Centre

Anthony Caro, Museo Correr, Venice, Italy 

Anthony Caro: The Last Sculptures, Annely Juda Fine Art, London
Anthony Caro: Masterpieces from the Würth Collection. Musée Würth, Erstein, France.

Anthony Caro. National Gallery, London, England.
Caro in Yorkshire. Yorkshire Sculpture Triangle, Yorkshire, England.
Caro: Works from the 1960s. Gagosian Gallery, Beverly Hills, CA.

Galeria Alvaro Alcazar, Madrid 
Bronze and Book SculpturesAnnely Juda Fine art, London 
CARO at CVNE. CVNE vineyard, Haro, La Rioja 
First Drawings and Last Sculptures. Mitchell Innes and Nash, New York
Caro, Denny, Smith, Vaux. Bernard Jacobson Gallery, London

Art Gallery of Ontario, Canada
Caro: Paper like Steel. New Art Centre, Salisbury



Landseer Scholarship, First Landseer Award,
Royal Academy Schools, London

Sculpture Prize, First Paris Biennale
Ford Foundation, English Speaking Union travel grant

David E Bright Foundation Prize, Venice Biennale

Honorary Doctor of Letters, University of East Anglia, England

Commander of the Order of the British Empire
Prizewinner, S'o Paulo Biennale

Presented with key to New York City by Mayor Abraham Beame

Honorary Member of American Academy and Institute of Arts & Letters
Honorary Doctor of Letters, York University, Toronto, Canada

Honorary Degree, Brandeis University, Massachusetts, USA
Honorary Fellow, Christ's College, Cambridge University, England

Member of Council, Royal College of Art, London

Trustee, Tate Gallery, London

Member of Council, Slade School of Art, London

Trustee, Fitzwilliam Museum, Cambridge, England

Honorary Doctor of Letters, Cambridge University, England

Honorary Fellow , Royal College of Art, London

Honorary Degree, University of Surrey, England
Knight Bachelor, Queen's Birthday Honours

Honorary Foreign Member, American Academy of Arts and Sciences

Honorary Fine Arts Degree, Yale University, Connecticut, USA

Honorary Fine Arts Degree, University of Alberta, Edmonton, Canada

Honorary Fellow, Wolfson College, Oxford
The Henry Moore Grand Prize: First Nobutaka Shikanai Prize,
Hakone Open Air Museum, Tokyo, Japan

Honorary Member, Accademia delle Belle Arte di Brera, Milan, Italy
Premium Imperial Prize for Sculpture, Japan Art Association, Tokyo

Honorary Doctor of Letters, Winchester School of Art,
University of Southampton, England

Honorary Doctorate, Royal College of Art, London

Chevalier des Arts et Lettres, France
Doctor Honoris Causa, University of Charles de Gaulle, Lille, France
Honorary Doctor of Letters, Durham University, England

Lifetime Achievement Award, International Sculpture Center, USA
Honorary Fine Arts Degree, Florida International University, USA
Honorary Fellow, Royal Institute of British Architects, London
Honorary Fellow, Royal Society of British Sculptors, London

Honorary Board of Trustees, International Sculpture Center, USA
Honorary Fellow, Glasgow School of Art, Scotland
Honorary Fellow, Bretton Hall College, University of Leeds, England

Honorary Doctor of Letters, University of Westminster, London

Order of Merit conferred by HM Queen Elizabeth

Honorary Fellowship, University of Arts, London
Senior Academician, Royal Academy of Art, London
International Award for Visual Arts, Cristobal Gabarron

6th International Julio Gonzàles Award of the Generalitat Valenciana

Honorary Degree, University of London



Lentos Kunstmuseum Linz, Linz
Museo Botero, Santafé de Bogota
Kiasma - Museum of Contemporary Art, Helsinki
DaimlerChrysler Contemporary, Berlin
Sprengel Museum Hannover, Hannover
Museum of Fine Arts - Budapest, Budapest
Peggy Guggenheim Collection, Venice
Berardo Museum - Collection of Modern and Contemporary Art, Lisbon
Fundación Joan Miró, Barcelona
Museu d´Art Contemporani de Barcelona - MACBA, Barcelona
CGAC - Centro Galego de Arte Contemporánea, Santiago de Compostela
Ulster Museum, Belfast (Northern Ireland)
Birmingham Museums & Art Gallery, Birmingham (England)
Kettle's Yard, Cambridge, Cambridgeshire (England)
Leeds City Art Gallery, Leeds (England)
Tate Liverpool, Liverpool (England)
Royal Academy of Arts, London (England)
Tate Britain, London (England)
Whitworth Art Gallery, Manchester (England)
Birmingham Museum of Art, Birmingham, MI
Cranbrook Art Museum, Bloomfield Hills, MI
MFA - Museum of Fine Arts, Boston, Boston, MA
Ackland Art Museum, Chapel Hill, NC
The Cleveland Museum of Art, Cleveland, OH
Heckscher Museum of Art, Huntington, NY
MOCA Grand Avenue, Los Angeles, CA
Storm King Art Center, Mountainville, NY
MoMA - Museum of Modern Art, New York City, NY
Portland Art Museum, Portland, OR
David Winton Bell Gallery, Providence, RI
Philbrook Museum of Art, Tulsa, OK