Editions

  • Robert Motherwell, Octavio Paz Suite: Nocturne VIII, 1988
    Robert Motherwell
    Octavio Paz Suite: Nocturne VIII, 1988
    Lithograph and chine appliqué to Arches paper
  • Sam Francis, Untitled (SF53-0001), c. 1953
    Sam Francis
    Untitled (SF53-0001), c. 1953
    Ink on paper
  • Robert Motherwell, Octavio Paz Suite: Untitled, 1988
    Robert Motherwell
    Octavio Paz Suite: Untitled, 1988
    Lithograph and chine appliqué
  • Sam Francis, Untitled, 1993
    Sam Francis
    Untitled, 1993
    Etching in colours on Rives BFK paper
  • Sam Francis, Untitled, 1991
    Sam Francis
    Untitled, 1991
    Etching on paper
  • Sam Francis, Untitled, 1987
    Sam Francis
    Untitled, 1987
    Lithograph with colour on Rives BFK paper
  • Sam Francis, Untitled, 1986
    Sam Francis
    Untitled, 1986
    Lithograph on paper
  • Sam Francis, Untitled (SF86-764), 1986
    Sam Francis
    Untitled (SF86-764), 1986
    Acrylic on BKF Rives paper
  • Sam Francis, Untitled, 1985
    Sam Francis
    Untitled, 1985
    Etching on Rives BFK paper (roll)
  • Sam Francis, Untitled, 1967
    Sam Francis
    Untitled, 1967
    Lithograph on paper
  • Sam Francis, Untitled (#2 Pri-Rain) (SF64-592), 1964
    Sam Francis
    Untitled (#2 Pri-Rain) (SF64-592), 1964
    Gouache on paper
  • Sam Francis, Untitled (SF64-203), 1964
    Sam Francis
    Untitled (SF64-203), 1964
    Acrylic on paper
  • Robert Motherwell, The Studio, 1987
    Robert Motherwell
    The Studio, 1987
    Acrylic and charcoal on canvas
  • Sam Francis, Untitled (SF62-102), 1962
    Sam Francis
    Untitled (SF62-102), 1962
    Acrylic and gouache on paper
  • Robert Motherwell, Black Open, 1985
    Robert Motherwell
    Black Open, 1985
    Aquatint and line etching on Whatman paper
  • Sam Francis, Untitled, 1957
    Sam Francis
    Untitled, 1957
    Gouache on paper
  • Robert Motherwell, America - La France Variations I, 1984
    Robert Motherwell
    America - La France Variations I, 1984
    Lithograph and collage
  • Robert Motherwell, Mexican Night II, 1984
    Robert Motherwell
    Mexican Night II, 1984
    Etching and aquatint in colours on Whatman paper
  • Robert Motherwell, Black with No Way Out, 1983
    Robert Motherwell
    Black with No Way Out, 1983
    Lithograph on white Tyler Graphics Ltd handmade paper
  • Sir Howard Hodgkin, Turkish Delight, 2003
    Sir Howard Hodgkin
    Turkish Delight, 2003
    Carborundum etching on paper
  • Robert Motherwell, Automatism Elegy (State II Buff), 1980
    Robert Motherwell
    Automatism Elegy (State II Buff), 1980
    Lithograph on paper
  • Sir Howard Hodgkin, Green Room, 1986
    Sir Howard Hodgkin
    Green Room, 1986
    Lift-ground etching and aquatint with hand colouring in tempera on paper
  • Robert Motherwell, Norway, 1980
    Robert Motherwell
    Norway, 1980
    Lithograph on Somerset paper
  • Robert Motherwell, Paris Suite I (Spring), 1980
    Robert Motherwell
    Paris Suite I (Spring), 1980
    Lithograph on J.B. Green handmade paper
  • Robert Motherwell, Paris Suite II (Summer), 1980
    Robert Motherwell
    Paris Suite II (Summer), 1980
    Lithograph on J.B. Green handmade paper
  • Sir Howard Hodgkin, Bleeding, 1982
    Sir Howard Hodgkin
    Bleeding, 1982
    Lithograph with hand colouring in gouache on paper
  • Robert Motherwell, Paris Suite III (Autumn), 1980
    Robert Motherwell
    Paris Suite III (Autumn), 1980
    Lithograph on J.B. Green handmade paper
  • Robert Motherwell, Paris Suite IV (Winter), 1980
    Robert Motherwell
    Paris Suite IV (Winter), 1980
    Lithograph on J.B. Green handmade paper
  • Sir Howard Hodgkin, Red Eye, 1980 - 1981
    Sir Howard Hodgkin
    Red Eye, 1980 - 1981
    Lithograph with hand colouring in gouache on paper
  • Robert Motherwell, Samurai II, 1980
    Robert Motherwell
    Samurai II, 1980
    Lithograph and chine appliqué
  • Sir Howard Hodgkin, After Lunch, 1980
    Sir Howard Hodgkin
    After Lunch, 1980
    Soft-ground etching and aquatint with hand colouring in gouache on paper
  • Sir Howard Hodgkin, Artist and Model, 1980
    Sir Howard Hodgkin
    Artist and Model, 1980
    Soft-ground etching with hand colouring in watercolour on paper
  • Robert Motherwell, The Berggruen Series: Untitled, 1980
    Robert Motherwell
    The Berggruen Series: Untitled, 1980
    Lithograph on white Arches Cover paper
  • Sir Howard Hodgkin, Black Moonlight, 1980
    Sir Howard Hodgkin
    Black Moonlight, 1980
    Two-sheet lithograph with hand colouring in gouache and watercolour on paper
  • Sir Howard Hodgkin, Moonlight, 1980
    Sir Howard Hodgkin
    Moonlight, 1980
    Lithograph with hand colouring in watercolour and gouache on paper
  • Robert Motherwell, Elegy to the Spanish Republic No. 163, 1979-1982
    Robert Motherwell
    Elegy to the Spanish Republic No. 163, 1979-1982
    Acrylic and Conte crayon on board
  • Sir Howard Hodgkin, Still Life, 1980
    Sir Howard Hodgkin
    Still Life, 1980
    Screenprint on paper
  • Sir Howard Hodgkin, Those...Plants, 1980
    Sir Howard Hodgkin
    Those...Plants, 1980
    Soft-ground etching with hand colouring in watercolour and gouache on paper
  • Robert Motherwell, Untitled, 1978
    Robert Motherwell
    Untitled, 1978
    Lithograph and chine collé
  • Robert Motherwell, Red Sea I, 1976
    Robert Motherwell
    Red Sea I, 1976
    Colour etching and aquatint on Arches paper
  • Robert Motherwell, Bastos, 1975
    Robert Motherwell
    Bastos, 1975
    Lithograph on white Arjom ari mould-made paper
  • Sir Howard Hodgkin, Palm, from 'More Indian Views', 1976
    Sir Howard Hodgkin
    Palm, from 'More Indian Views', 1976
    Lithograph on paper
  • Robert Motherwell, Monster, 1975
    Robert Motherwell
    Monster, 1975
    Lithograph on speckled grey HMP handmade paper
  • Sir Howard Hodgkin, Girl on a Sofa, from ‘5 Rooms’, 1968
    Sir Howard Hodgkin
    Girl on a Sofa, from ‘5 Rooms’, 1968
    Lithograph on paper
  • Robert Motherwell, Summer Light Series: Pauillac, No.2, 1973
    Robert Motherwell
    Summer Light Series: Pauillac, No.2, 1973
    Lithograph, screenprint, pochoir, and collage
  • Robert Motherwell, Untitled, 1973
    Robert Motherwell
    Untitled, 1973
    Aquatint and lift-ground etching on Arches paper
  • Robert Motherwell, The Basque Suite: Untitled, 1971
    Robert Motherwell
    The Basque Suite: Untitled, 1971
    Colour screenprint printed in black, red, and orange on J.B. Green paper
  • Phillip King, Blue Divide, 2007-2008
    Phillip King
    Blue Divide, 2007-2008
    Paint on foam PVC
  • Phillip King, Yellow Disc, 2007
    Phillip King
    Yellow Disc, 2007
    Marble and hand-painted steel
  • Phillip King, Cup Drift, 1995
    Phillip King
    Cup Drift, 1995
    Ceramic
  • Robert Motherwell, Dedication–Lincoln Center (B.App.23), 1969
    Robert Motherwell
    Dedication–Lincoln Center (B.App.23), 1969
    Screenprint with collage in colours
  • Leon Kossoff, Fidelma I, 1984
    Leon Kossoff
    Fidelma I, 1984
    Etching on paper
  • Leon Kossoff, Fidelma II, 1984
    Leon Kossoff
    Fidelma II, 1984
    Etching on paper
  • Leon Kossoff, Fidelma IV, 1984
    Leon Kossoff
    Fidelma IV, 1984
    Etching on paper
  • Leon Kossoff, Going Home, 1984
    Leon Kossoff
    Going Home, 1984
    Drypoint etching and aquatint on paper
  • Robert Motherwell, Pierrot's Hat, 1943
    Robert Motherwell
    Pierrot's Hat, 1943
    Watercolour, gouache, pasted papers, pasted glass button, and ink on paperboard
  • Leon Kossoff, The Booking Hall, 1982
    Leon Kossoff
    The Booking Hall, 1982
    Etching on paper
  • Leon Kossoff, Nude on Bed, 1971
    Leon Kossoff
    Nude on Bed, 1971
    Oil on board
  • Henri Matisse, Patitcha, 1947
    Henri Matisse
    Patitcha, 1947
    Aquatint on BFK Rives paper
  • Henri Matisse, Tête de femme en mascaron, 1938
    Henri Matisse
    Tête de femme en mascaron, 1938
    Linocut in black and red on G. Maillol paper
  • Henri Matisse, Figure endormie, châle sur les jambes, 1929
    Henri Matisse
    Figure endormie, châle sur les jambes, 1929
    Lithograph on Arches Velin paper
  • Henri Matisse, Jeune femme, poissons rouges et nappe à carreaux, 1929
    Henri Matisse
    Jeune femme, poissons rouges et nappe à carreaux, 1929
    Etching on Chine appliqué on Arches Velin paper
  • Henri Matisse, Jeune fille rêvant près d'un bocal de poissons, 1929
    Henri Matisse
    Jeune fille rêvant près d'un bocal de poissons, 1929
    Etching on Chine appliqué on Arches Vélin paper
  • Henri Matisse, Le renard blanc, 1929
    Henri Matisse
    Le renard blanc, 1929
    Lithograph on Arches Velin paper
  • Henri Matisse, Nu au miroir marocain, 1929
    Henri Matisse
    Nu au miroir marocain, 1929
    Etching on Chine appliqué on Arches Velin paper
  • Henri Matisse, Nu couché, 1929
    Henri Matisse
    Nu couché, 1929
    Etching on Chine appliqué on wove paper
  • Henri Matisse, Nu couché. Intérieur à la lampe vénitienne, 1929
    Henri Matisse
    Nu couché. Intérieur à la lampe vénitienne, 1929
    Etching on Chine appliqué on Arches Velin paper
  • Henri Matisse, Odalisque, brasero et coupe de fruits, 1929
    Henri Matisse
    Odalisque, brasero et coupe de fruits, 1929
    Lithograph on Arches Velin paper
  • Henri Matisse, Repos sur la banquette, 1929
    Henri Matisse
    Repos sur la banquette, 1929
    Lithograph on Arches Velin paper
  • Henri Matisse, Nu assis à la chemise de tulle, 1925
    Henri Matisse
    Nu assis à la chemise de tulle, 1925
    Lithograph on Chine paper
  • Henri Matisse, Nu assis les bras étendus, 1925
    Henri Matisse
    Nu assis les bras étendus, 1925
    Lithograph on Japon paper
  • Henri Matisse, Odalisque à la culotte de satin rouge, 1925
    Henri Matisse
    Odalisque à la culotte de satin rouge, 1925
    Lithograph on Chine paper
  • Henri Matisse, Odalisque au collier, 1923
    Henri Matisse
    Odalisque au collier, 1923
    Lithograph on Chine paper
  • Henri Matisse, Odalisque au Magnolia, 1923
    Henri Matisse
    Odalisque au Magnolia, 1923
    Lithograph on Japon paper
  • Henri Matisse, Jeune fille à la mauresque, robe verte, 1921
    Henri Matisse
    Jeune fille à la mauresque, robe verte, 1921
    Oil on canvas
  • Henri Matisse, L'artiste et le modèle nu, 1921
    Henri Matisse
    L'artiste et le modèle nu, 1921
    Oil on canvas
  • Bruce McLean, A Carefully Peeled Golden Wonder Against a Dark Background, 2021
    Bruce McLean
    A Carefully Peeled Golden Wonder Against a Dark Background, 2021
    Giclee print and 23.5 ct gold leaf on Somerset Satin enhanced 330 gsm paper
  • Bruce McLean, Untitled, 2013
    Bruce McLean
    Untitled, 2013
    Ink, card, and painted collage on paper
  • Eduardo Paolozzi, Pop Art Redefined, 1971
    Eduardo Paolozzi
    Pop Art Redefined, 1971
    Screenprint and collage on paper
  • Larry Poons, Jack of Sparks, 2007
    Larry Poons
    Jack of Sparks, 2007
    Acrylic on canvas
Page
 5 
of 6